最近喜欢第二十集

来源:http://www.jmhczg.com 作者:动漫动画 人气:79 发布时间:2019-05-19
摘要:Much like hip-hop rappers can represent themselves with a singlemicrophone, Watanabe said, "I would like to represent myself with asingle pencil on a blank piece of paper." 游乐场的逻辑让我后怕 人用人工制造的玩偶娱乐自己

Much like hip-hop rappers can represent themselves with a single microphone, Watanabe said, "I would like to represent myself with a single pencil on a blank piece of paper."

游乐场的逻辑让我后怕 人用人工制造的玩偶娱乐自己 预设好的永远不变的玩偶表情 巨大的山一样的体积 好像隐喻了工业时代的末路狂欢 像极了寂静岭2里的诡异场景,cowboy bepop拍真人版肯定是恐怖片,那个像joker一样的怪物也讽刺极了 最后像婴儿般的倒在地上哭着喊妈妈而死去 那么精致复杂的杀人机器到头来就是像婴儿般无助找妈妈。。,。,。,。。编剧太有想象力了,那么多种文化碎片到底怎么拼贴到一起的!

DT: How was working on a movie different from the series?

DT: Is Spike's hair black or green?

最近喜欢第二十集。W: I wanted to use hip-hop music in "Champloo" and since Yoko Kanno is not a hip-hop musician, I decided to use other people. There were some people that suggested we ask Yoko Kanno to create some hip-hop music, but I felt that that would be more of an imitation of hip-hop music than the real thing.

DT:你认为你的作品让更多美国的中老年人群接触动画了吗?

W: Actually, I don't know much about American animation at all. So what do you think? If there's anything that's similar to "Cowboy Bebop," please let me know. I'd like to see it.

DT: Do you think your work is making animation more accessible to older age groups in America?

原文如下

Daily Texan: What made you decide to go on a lecture tour?

DT: I'm sure you've heard the next question a thousand times, and I apologize for asking again.

W: Of course. Sometimes I'm asked the question, 'What does Spike think of Faye?' I think that actually he likes her quite a bit. But he's not a very straightforward person so he makes sure he doesn't show it.

渡边监督:全都是我自己想象出来的。不这么说的话我会被抓的吧。但是艾因不是普通的狗,你应该知道吧,艾因是数据狗。数据狗和普通狗不一样,会有异常的反应。不过其实我也不太了解数据狗。

DT:做《星际牛仔》第十七话《Mushroom Samba》的时候,你有没有研究人(包括狗狗艾因)吃了致幻蘑菇以后的行动和状态?

"I'm so happy when they [fans] praise my works for the music," he said. "There are times when music comes before the animation."

渡边监督:那过吧【笑】。开玩笑的。

Hot pants aside, Watanabe looked relaxed and eager to answer questions about his past, his future and whether Spike's hair is, in fact, green.

渡边监督:动画的一个特点是你只有20分钟,所以你不可以讲一个很长的故事。我觉得电影讲了一个比较长的故事。比如电影里有一段20分钟的机器人动画,如果我要在动画剧集里做的话,会占用一整集的时间。

Daily Texan(以下简称DT):你为什么要做巡回演讲呢?

DT: Was it your decision to work with Yoko Kanno as a composer for "Macross Plus?"

渡边监督:日本国际交流基金会要求我来美国演讲。他们让我从一些美国城市中挑选,我选了一个。选择休斯顿的原因是,这里是牛仔的故乡。

就像嘻哈音乐人用麦克风就能表达自己一样,渡边监督说:“我希望用铅笔在一张白纸上自我表达。”

W: I do want to work with Yoko Kanno, and I do have plans to work with her again on a future project, I just haven't decided exactly which project yet.

他说:“他们【粉丝】称赞我作品里的配乐,真的让我很开心。有的时候是先有音乐再做动画的。”

Watanabe explained that music is often the driving force behind many of his works.

W: The animation industry is one that doesn't really rely on age or educational background. Rather, it depends more on a person's skill and on luck. So for myself, the first TV series I directed, "Cowboy Bebop," was a hit, and as a result of its success, I was offered the opportunity to direct a film. It doesn't really matter have much skill you have, if you don't have a hit work, a popular piece, you won't get any offers to make a film. In that respect, I consider myself lucky.

渡边监督:我的确想与她合作,已经计划合作下一部作品,但还没有决定做什么。

DT: In your lecture you said that you create characters who are constantly hungry and short on cash. In the case of "Cowboy Bebop," how are characters such as Spike and Faye able to afford smokes when they can't buy food?

DT:你在演讲中提到,你觉得最像自己的角色是无幻和斯派克。可以解释一下吗?

Shinichiro Watanabe: I was requested by the Japan Foundation to come to America and speak. They provided a series of location choices within the States, and from there, I made a selection. The reason I chose Houston is because it's the hometown for cowboys.

DT:你说的是斯派克和菲之间的关系吗?

"I made 'Samurai Champloo' the series in order to make this scene," he said.

他说:“我做《混沌武士》就是为了这个场景。”

DT:接下来还打算与菅野洋子合作吗?

渡边监督:首先,我经常开枪打人,拿刀砍人……开玩笑啦【笑】。斯派克和无幻不会直白地表达自己的感受。比如,哪怕喜欢的女孩就站在自己面前,他们并不会直接追她——实际上他们会做相反的事情,差不多会无视她。我觉得这一点挺像我的。总结一下,差不多是比较对立,或者比较反叛。

DT:《星际牛仔》第五话《Ballad of Fallen Angels》好像预示了最终话的内容。两者之间有关系吗?

DT:制作电影和制作动画剧集有什么不同吗?

W: Actually all of the episodes that contain Vicious that come out in "Cowboy Bebop" are directly related to the ending. Even before I made the first episode, I already had the ending in mind. Even though I had the ending in mind by myself, I was opposed by my staff. They were upset because they were saying that we wouldn't be able to make a continuation. So I told them I'd think about it a little more, but ultimately I decided to go with my original idea.

DT:下面这个问题你肯定听到很多遍了,很抱歉我要再问一次。

DT: Are you talking about Spike's relationship with Faye?

DT:做《超时空要塞》的时候,是你决定与菅野洋子合作的吗?

W: Then I pass. [Laughs]. I'm joking.

DT: It's common to hear animators remark about how long it takes them to be offered a solo directing opportunity. How were you able to do this so quickly?

渡边监督:总有一天吧……可能,总有一天。

DT:她没有参与《混沌武士》有没有原因?

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